Touching Sound and Getting Down

I’ve been rata tat tatting since I was a kid. From bucket drumming in the streets, to competitive drum corps, to performing as a musician in Disneyland, I’ve always pushed the limits of my percussive abilities. As a young adult these drum skills slammed head first into a passion for electronic music. From dancing at underground raves to audio engineering in high-end studios, to producing entire albums and sample packs, I’ve always curated the most modern and tantalizing compositions possible. 

Now, my drumming and sound design work as one. I don’t just mix tracks—I sculpt them live, forging soundscapes that breathe, mutate, and explode with raw energy. Every razor-sharp rhythm is carved into existence in real time with a tooth-rattling boom. With every flick of my fingers, new laws of sound are written. The dance floor will be packed and sweaty, the lights will be spinning quickly, but the powerful human experience of dancing to a real drummer will keep you grounded in time and space as my modern sonic textures hurl you into the future. My hands have never stopped moving, and after you hear me play, neither will you.